Prathichaya, a political thriller directed by B Unnikrishnan, explores the intricate dynamics of politics and family in Kerala.
Reaction from the field
The release of Prathichaya on March 26, 2026, has stirred significant discussions in Kerala, particularly due to its timely launch during an election period. Directed by B Unnikrishnan, this political thriller not only entertains but also provokes thought about the intricate relationships between politics, corruption, and family dynamics. The film’s narrative centers around the character of Chief Minister Varghese, portrayed by Balachandra Menon, and his son John Varghese, played by Nivin Pauly. This father-son relationship is set against a backdrop of political intrigue, making the stakes incredibly high.
At its core, Prathichaya attempts to decode the public images of politicians, a theme that resonates deeply with the current political climate in Kerala. B Unnikrishnan has stated that while politics serves as a backdrop, the film fundamentally explores the father-son relationship. This perspective adds a layer of emotional depth to the political narrative, allowing audiences to connect with the characters on a personal level.
The film’s runtime of 162 minutes provides ample time to delve into the complexities of its themes. Critics have noted that despite its old-fashioned approach, the film’s portrayal of political maneuvering and familial ties offers a familiar yet engaging experience. One critic remarked, “Even with a bucket of whitewash, this old-fashioned political thriller cannot get a contemporary facelift,” highlighting the film’s struggle to resonate with modern audiences.
Moreover, the dynamics of power and control are central to the plot, as the corporate entity in the film seeks to manipulate governance by targeting influential politicians. This narrative thread echoes real-life political events in Kerala, making the film feel particularly relevant. The predictability of John Varghese’s strategies to enhance his public image and counter his adversaries adds to the film’s commentary on the nature of political ambition.
As the film unfolds, it becomes evident that the interplay between personal relationships and political ambitions is fraught with tension. The character of John Varghese embodies the youthful drive to assert his identity while navigating the expectations placed upon him as the son of a powerful politician. This duality creates a compelling narrative that keeps viewers engaged throughout the film.
While Prathichaya has garnered attention for its thematic exploration, the critical reception has been mixed. Some have praised its ambition and depth, while others have pointed out the film’s reliance on familiar tropes. The operations of the corporate entity in the film, which seeks to control governance, have drawn parallels to real-world scenarios, prompting discussions about the intersection of politics and corporate influence.
As audiences continue to engage with Prathichaya, the film’s impact on the political landscape in Kerala remains to be seen. Will it influence public perception of politicians and their familial ties? Or will it simply serve as entertainment during a politically charged time? Details remain unconfirmed, but the conversations sparked by the film are likely to persist as the election approaches.
