These words from Droupadi Murmu, India’s first tribal President, encapsulated the tension surrounding her recent visit to Santiniketan on March 7, 2026. Speaking at the International Santhal Conference held at Visva-Bharati University, Murmu expressed her disappointment over the absence of West Bengal’s Chief Minister and senior ministers during this significant event.

The International Santhal Conference aimed to celebrate and promote the rich cultural heritage of the Santhal community. However, the venue for the conference was shifted at the last minute due to a lack of permission, adding to the challenges faced by the organizers. Murmu’s remarks highlighted the importance of political representation and respect for constitutional offices, as she stated, “Protocol is not a matter of political convenience. It reflects respect for constitutional offices.”

Murmu’s presence in Santiniketan was not only a political statement but also a cultural one, as the town is deeply connected to India’s artistic legacy. Nandalal Bose, a prominent figure in Indian art, staged a visual coup at a political gathering in Haripura, Gujarat, in 1938, creating 77 posters that depicted the life of the soil for the masses. These panels, which are now regarded as significant works of art, will be on display at the National Gallery of Modern Art from March 9 to April 9, 2026.

As Murmu spoke, the legacy of Nandalal Bose loomed large. His belief that art should be as common as the air we breathe resonates with the themes of the conference. Bose aimed to decolonize the Indian mind through his works, a mission that continues to inspire artists and cultural leaders today. Nidhi Choudhari, a curator involved in the upcoming exhibition titled ‘Colours of Swades,’ remarked, “Technology is a tool of interpretation. It helps visitors step closer into the world Bose imagined.” This exhibition employs Artificial Intelligence to reinterpret Bose’s works, bridging the gap between traditional art and modern technology.

The juxtaposition of Murmu’s political role and the cultural significance of Santiniketan underscores the ongoing dialogue between governance and heritage. As the first tribal President, her presence at the conference symbolizes a recognition of marginalized communities and their contributions to India’s diverse cultural tapestry.

Despite the challenges faced during her visit, Murmu’s speech served as a reminder of the importance of unity and representation in the political landscape. The absence of key political figures was noted not only by Murmu but also by attendees who expected a show of solidarity from the state’s leadership.

As the International Santhal Conference continues, the discussions and outcomes will likely shape future engagements between the government and indigenous communities. The legacy of Nandalal Bose and the vibrant culture of Santiniketan remain pivotal in these conversations, fostering a deeper understanding of India’s artistic and political heritage.

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“Moments like these remind us that the strength of democratic institutions lies not only in law, but also in the culture of respect that surrounds them,” stated Droupadi Murmu, India’s first tribal President, during her speech at the International Santhal Conference held at Visva-Bharati University in Santiniketan on March 7, 2026.

Murmu’s presence at the conference was significant, as it underscored the importance of tribal culture and representation in Indian society. However, her remarks were tinged with disappointment over the absence of West Bengal’s Chief Minister Mamata Banerjee and other senior ministers during her visit. The venue for the conference was also changed at the last minute due to a lack of permission, adding to the challenges faced during the event.

The International Santhal Conference aimed to celebrate and discuss the rich cultural heritage of the Santhal community, a significant tribal group in India. This event aligns with the broader efforts to promote tribal rights and recognition within the framework of Indian democracy.

In a related context, the legacy of Nandalal Bose, a prominent figure in Indian art, continues to resonate strongly in Santiniketan. Bose, who staged a visual coup at a political gathering in Haripura, Gujarat in 1938, created 77 posters depicting the life of the soil, which were meant to be accessible to the masses. His belief that art should be as common as the air we breathe reflects a commitment to decolonizing the Indian mind through creative expression.

The Haripura panels, which are a testament to Bose’s vision, will be on display at the National Gallery of Modern Art from March 9 to April 9, 2026. Nidhi Choudhari, a curator involved with the exhibition, noted, “The Haripura panels were never intended to be museum objects in the conventional sense.” This perspective emphasizes the dynamic nature of art as a living dialogue rather than static displays.

Furthermore, the exhibition titled ‘Colours of Swades’ employs Artificial Intelligence to reinterpret Bose’s works, illustrating how technology can enhance the understanding of artistic narratives. Choudhari remarked, “Technology is a tool of interpretation. It helps visitors step closer into the world Bose imagined.” This innovative approach aims to bridge the gap between historical art and contemporary audiences.

As the International Santhal Conference concluded, the discussions highlighted the ongoing need for cultural respect and recognition within India’s democratic framework. The convergence of these events in Santiniketan serves as a reminder of the intertwined nature of art, culture, and politics in shaping societal values.

Looking ahead, the impact of Murmu’s address and the ongoing exhibitions related to Nandalal Bose’s work will likely continue to influence conversations around tribal rights and the role of art in democracy. The significance of Santiniketan as a cultural hub remains pivotal in these discussions.

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