The song ‘Sarke Chunar Teri Sarke’ has recently come under fire for allegations of obscenity and vulgarity, prompting the National Commission for Women (NCW) to take action. The NCW has summoned Sanjay Dutt and other individuals involved with the song to appear before them on March 24, 2026, to address these serious allegations.

The controversy centers around the song’s lyrics and choreography, which many have deemed sexually suggestive and objectionable. Following widespread criticism, the Hindi version of the song was removed from YouTube, highlighting the growing concerns regarding its content.

The NCW has taken suo motu cognizance of media reports regarding the song, stating, “The National Commission for Women, in exercise of its powers under the NCW Act, 1990, has taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song ‘Sarke Chunar Teri Sarke’.” This statement underscores the commission’s commitment to addressing issues related to women’s dignity and representation in media.

Nora Fatehi, who recorded the Kannada version of the song three years ago, expressed her confusion regarding the controversy, stating, “I don’t understand the Kannada language, in which the original song, Sarse Ninna, is composed.” This raises questions about the translation process and the intentions behind the lyrics.

Raqueeb Alam, the lyricist, defended the song, explaining that he was instructed to do a literal translation from the Kannada version, which he claims he followed. However, he also warned the makers that the Hindi lyrics could be perceived as vulgar, indicating a potential disconnect between creative intent and public reception.

The song is part of the upcoming Kannada film ‘KD: The Devil’, directed by Prem and starring Dhruv Sarja. The Hindi version was released earlier in March 2026, and its swift removal from platforms like YouTube reflects the immediate backlash it received.

As the situation unfolds, the NCW has indicated that failure to appear before them may invite appropriate action as per law. This adds a layer of urgency for those summoned, including Dutt, who must now navigate the implications of this controversy.

Observers are keenly watching how this situation will develop, particularly in light of the NCW’s proactive stance. The outcome of the hearing on March 24 could set a precedent for how similar cases are handled in the future, especially in the context of artistic expression versus societal norms.

Details remain unconfirmed regarding the specific actions that may be taken following the NCW’s hearing, but the involvement of such a significant body indicates that the matter is being taken seriously.

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The MG University Kalolsavam, held on March 6, 2026, in Thiruvalla, highlighted the rich cultural tapestry of Kerala through traditional songs, particularly those of the Muthuvan tribe. The Maharaja’s College folk song team emerged victorious in this competition, showcasing a performance that not only celebrated the region’s heritage but also sparked discussions about the preservation of traditional music.

The winning song was learned directly from the Muthuvan community, which is known for its unique oral traditions that blend Malayalam and Tamil. Anjana Raveendran, the trainer of the Maharaja’s College folk song team, emphasized the importance of connecting with the Muthuvan tribe, stating, “We connected with members of the Muthuvan tribe through friends. We stayed with the community for three days and learned the songs ourselves.” This immersive experience reflects a growing trend among artists and educators to engage with indigenous cultures to preserve their musical heritage.

The Muthuvan community, residing primarily in the Kothamangalam region of Ernakulam district and Idamalakkudy in Idukki, has a rich tradition of songs that are passed down orally. The Maharaja’s College folk song category has been introduced for three years, and the team has won first prize each year, competing against 64 other teams. Raveendran is also researching ways to document and notate these folk songs, ensuring that they are preserved for future generations.

In a contrasting narrative, the contemporary music scene faced scrutiny when popular artist Badshah issued an apology for his song “Tateeree,” which was criticized for its objectionable content. Following the backlash, Haryana police initiated a Look Out Circular against him to prevent him from leaving the country. Badshah expressed regret, stating, “I never intended to say anything objectionable against any woman or child from Haryana.” This incident highlights the ongoing tension between artistic expression and societal values.

The controversy surrounding Badshah’s song led to an FIR being registered against him under the Indecent Representation of Women (Prohibition) Act, 1986. Haryana Education Minister Mahipal Dhanda condemned the portrayal of schoolgirls in the song, calling it “condemnable.” This situation underscores the challenges artists face in navigating cultural sensitivities while trying to reach a broad audience.

In a different vein, the Sangeetanjali Shashtriya Sangeet Samiti organized a Holi song and dance event on March 2, featuring a variety of regional songs, including Garhwali, Kumauni, Ruhelkhandi, Braj, and Rajasthani Holi songs. The event showcased the diversity of Indian music and the enthusiasm of 20 artists who performed at the library Amphitheatre, celebrating the festival of colors through song and dance.

As the MG University Kalolsavam continues to promote traditional songs, it raises questions about the future of folk music in a rapidly changing cultural landscape. The juxtaposition of traditional and contemporary music highlights the ongoing dialogue about cultural identity and expression in India. While the celebration of Muthuvan songs reflects a commitment to preserving heritage, the controversies surrounding modern music illustrate the complexities artists face today.

Details remain unconfirmed regarding the long-term impact of these events on the music community and whether they will lead to further discussions about cultural representation in the arts. As artists like Anjana Raveendran strive to document and share traditional songs, the future of music in India remains a dynamic and evolving narrative.

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Badshah, a well-known Indian rapper, is currently facing legal scrutiny after an FIR was registered against him for his song ‘Tateeree’. The FIR cites violations under Section 296 of the Bharatiya Nyaya Sanhita and Sections 3 and 4 of the Indecent Representation of Women (Prohibition) Act, 1986.

The song has drawn criticism for allegedly depicting minor girls in school uniforms throwing their school bags and running away from studies. In response to the backlash, the Haryana Police have initiated the process of issuing a Look Out Circular (LOC) against Badshah to prevent him from leaving the country.

In a public statement, Badshah expressed regret, stating, “I never intended to say anything objectionable against any woman or child from Haryana… If anyone is hurt, I seek apology. I expect that you will forgive me by considering me the son of Haryana.” This apology comes as the Haryana State Commission for Women has summoned him to appear on March 13.

The police have also removed the song from YouTube and are working to take it down from other platforms. Additionally, the Haryana Roadways bus featured in the video is under investigation to determine if proper permissions were obtained for its use.

Two FIRs have been filed in connection with the song’s content, one by the cybercrime police and another by Jind Police. Haryana Education Minister Mahipal Dhanda condemned the video, stating, “The depiction of school girls in the song and the manner our culture is shown in it is condemnable.”

Badshah, whose real name is Aditya Pratik Singh Sisodia, is known for his contributions to the Haryanvi music genre. The ongoing controversy has sparked discussions about the responsibility of artists in portraying sensitive subjects.

As the situation develops, Badshah is expected to comply with the summons and appear before the police as required. Meanwhile, police investigations into the video and its production continue.

Details remain unconfirmed regarding the extent of the repercussions Badshah may face as the authorities proceed with their inquiries.

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