Kunal Kohli, the director of Dhurandhar, expressed his surprise at the film’s success, stating, “Nobody supported Dhurandhar. The biggest directors I spoke to on the phone said, ‘Monday ko baith jayegi.‘ But it continued to perform well on Monday.” This statement highlights the skepticism he faced from industry peers.

In addition to its domestic success, Dhurandhar has become the first Indian franchise to earn over Rs 3000 crores worldwide, marking a significant milestone in the film industry.

Reflecting on the challenges he faced, Kohli remarked, “99% of the people in the industry don’t want you to succeed,” revealing the competitive nature of Bollywood.

Kunal Kohli is no stranger to success; his film Hum Tum, released in 2004, became a defining romantic comedy and was well-received by audiences. Rakesh Roshan even called him to congratulate him on Hum Tum‘s success.

However, not all of Kohli’s projects have fared well. His film Mujhse Dosti Karoge! flopped at the box office, illustrating the unpredictable nature of film success.

Despite the ups and downs, Kohli’s latest venture has proven to be a triumph. He attended a preview screening of Hum Tum despite being advised against it, showcasing his dedication to his craft.

Moreover, Border 2, another film associated with Kohli, has also performed well, collecting over Rs 300 crores at the box office.

Kunal Kohli’s Dhurandhar was released in December 2025, and its impressive performance has sparked discussions about the future of Bollywood films.

As the industry continues to evolve, it remains to be seen how Kohli’s success will influence upcoming filmmakers and their projects.

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The ‘Dhurandhar’ franchise has emerged as a monumental success in the Bollywood film industry, captivating audiences worldwide. Before the recent praise from director Aditya Dhar, expectations surrounding the franchise were already high, particularly following the first installment’s remarkable box office performance, which grossed over Rs 1300 crore globally. The anticipation for the sequel, ‘Dhurandhar: The Revenge’, was palpable, especially as it had already surpassed Rs 1500 crore in earnings. However, the behind-the-scenes dynamics were less visible to the public eye.

A decisive moment occurred when Aditya Dhar publicly acknowledged Vikash Nowlakha as the ‘soul’ of ‘Dhurandhar’. This recognition came shortly after the film’s sequel achieved unprecedented success, further solidifying the franchise’s reputation. Dhar’s statement, “He gave Dhurandhar its soul,” highlighted the essential role that Nowlakha played in bringing the film to life. His contributions were not merely technical; they encompassed emotional intelligence and a meticulous attention to detail in cinematography.

Vikash Nowlakha joined the ‘Dhurandhar’ project just days before filming began, a move that could have been seen as risky. Yet, his swift adaptation and dedication proved invaluable. Actor Ranveer Singh echoed Dhar’s sentiments, referring to Nowlakha as the “unshakeable, unbreakable Rock of Dhurandhar!” This praise from both the director and lead actor underscores the significant impact Nowlakha had on the film’s execution.

Nowlakha’s previous work on films like ‘Rocket Singh: Salesman of the Year’, ‘Laapataa Ladies’, and ‘Brahmāstra Part One: Shiva’ laid the groundwork for his successful integration into the ‘Dhurandhar’ team. His experience and work ethic were commended by actor Naveen Kaushik, who noted that Nowlakha’s approach to filmmaking was both passionate and dedicated. This strong work ethic was crucial in navigating the challenges that arose during production.

The immediate effects of this recognition have been profound for all parties involved. Aditya Dhar expressed a desire to collaborate with Vikash Nowlakha on future projects, indicating that their partnership could lead to more cinematic successes. The ‘Dhurandhar’ franchise has not only rewritten box office records in Bollywood but has also set a new standard for what can be achieved in Indian cinema.

In light of this shift, industry experts have begun to analyze the implications of such praise. The acknowledgment of Nowlakha’s contributions emphasizes the importance of collaboration and emotional depth in filmmaking. As the franchise continues to achieve massive global milestones, it becomes clear that the synergy between Dhar and Nowlakha is a key factor in its success.

As the ‘Dhurandhar’ franchise continues to thrive, the spotlight on Vikash Nowlakha’s role serves as a reminder of the often unseen efforts that contribute to cinematic achievements. With the promise of future collaborations, audiences can look forward to more innovative storytelling and compelling visuals that resonate on a global scale. Details remain unconfirmed regarding specific upcoming projects, but the foundation laid by this partnership is undoubtedly strong.

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Harinder Sikka has recently expressed strong criticism of Meghna Gulzar’s adaptation of his novel Calling Sehmat into the film Raazi, labeling the decision to collaborate with her as his “gravest misjudgment.” Released in 2018 and starring Alia Bhatt, Raazi became both a critical and commercial success, yet Sikka’s dissatisfaction has persisted since 2020.

Sikka described Calling Sehmat as one of the top books on espionage ever written globally, emphasizing the importance of its narrative. He alleged that Gulzar’s ideological bias diminished the true spirit of the protagonist, leading to a portrayal that he believes strays from the original intent of his work.

“The way Meghna Gulzar twisted the story through a leftist lens still pains me deeply,” Sikka stated, highlighting his disappointment with the film’s direction. He also mentioned that he had been warned by others not to trust her, expressing regret over ignoring those cautions.

In addition to his critiques of Raazi, Sikka has also voiced his dissatisfaction with Gulzar’s portrayal of Sam Manekshaw in the film Sam Bahadur. His literary work continues to find readers globally, and he is currently adapting more of his books for the screen.

Despite Sikka’s criticisms, Raazi remains a significant film in Indian cinema, telling the story of an Indian spy married into a Pakistani military family during the 1971 war. The film’s success has not shielded it from controversy, as Sikka’s remarks have reignited discussions about the fidelity of adaptations in film.

As the debate continues, observers are keen to see how these criticisms will impact future adaptations of Sikka’s works. Details remain unconfirmed regarding any potential changes to upcoming projects or further responses from Gulzar.

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The recent controversy surrounding Aneet Padda and her sister Reet Padda raises a crucial question: How do personal opinions about films reflect broader societal issues? The answer lies in Reet Padda’s outspoken criticism of certain films, which she labeled as propaganda, igniting a fierce debate on social media.

Reet Padda, who works as a Customer Success Manager at Ayolab and boasts 6.7K followers on Instagram, has made headlines for her comments on films such as Dhurandhar, The Kerala Story, and The Kashmir Files. She described these films as narratives that align with specific political ideologies, stating, “Dhurandhar functions as a government-friendly narrative, using political speeches to justify events like demonetization. Is it propaganda? Yes. Can I deny it? No.” This statement has resonated with many, leading to intense discussions about the intersection of cinema and politics.

The controversy escalated when Reet Padda criticized actress Priyanka Chopra Jonas for her reaction at the Oscars, further fueling the backlash against her. Following the criticism, Reet made her Instagram account private, likely in response to the trolling she faced online. Her comments have not only drawn attention to her but have also reflected on her sister, Aneet Padda, who is set to appear in the upcoming film Shakti Shalini, scheduled for a Christmas release in 2026.

Reet’s remarks have opened the door to a larger debate about the role of cinema in shaping political narratives. She has expressed her strong opposition to political figures who manipulate religion for personal gain, stating, “I don’t discriminate against individuals. But I strongly oppose political figures who manipulate religion for political gain, especially when it leads to violence. That’s a crime, and I will speak against it.” This sentiment has found resonance among many who believe that films should not serve as tools for political propaganda.

As the controversy unfolds, it has sparked discussions not only about the films in question but also about the responsibilities of filmmakers and actors in portraying sensitive subjects. Reet Padda’s comments have led to a broader examination of how cinema can influence public perception and political ideologies, raising questions about the ethical implications of storytelling in film.

Furthermore, the backlash against Reet Padda has also drawn criticism towards Aneet Padda, highlighting the interconnectedness of public personas and the impact of social media on personal and professional lives. As Reet stated, “If my sister were in that position, I’d hope she rises to the occasion. If she doesn’t, I’ll be the first to call her out.” This indicates the familial pressure and expectations that come with being in the public eye.

Looking ahead, the outcome of this controversy remains uncertain. While Reet Padda’s comments have sparked significant debate, it remains to be seen how this will affect Aneet Padda’s career and public perception. The discussions initiated by Reet’s statements are likely to continue, as audiences grapple with the complex relationship between cinema and politics.

In conclusion, the Aneet Padda and Reet Padda controversy serves as a reminder of the powerful role that cinema plays in society and the responsibilities that come with it. As the dialogue continues, it will be essential to consider the implications of these discussions on the future of filmmaking and the narratives that shape our understanding of political and social issues.

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Sanjay Dutt, a prominent figure in the Indian film industry, is currently enjoying significant success with his recent films. His residence in Pali Hill, built on his parents’ ancestral land, is valued at approximately Rs 40 crore. This luxurious home reflects not only his status but also his deep roots in Mumbai.

As of now, Dutt’s estimated net worth stands at around Rs 295 crore, a testament to his successful career and various business ventures. Notably, his lifestyle is bolstered by investments in Dubai, where he operates a production house alongside other business interests.

In recent developments, Dutt has starred in three blockbuster films that have grossed over Rs 1,000 crore each. These films include the highly acclaimed KGF: Chapter 2, which grossed approximately Rs 1,215 crore worldwide, and Jawan, which earned around Rs 1,160 crore. His latest release, Dhurandhar, has surpassed Rs 1,300 crore globally, further solidifying his position in the film industry.

Additionally, Dhurandhar: The Revenge has already earned Rs 919 crore, showcasing Dutt’s continued relevance and appeal in cinema. His recent successes have garnered attention not only from fans but also from industry insiders.

In a recent statement, Dutt expressed his contentment with his family’s life, saying, “They love it there. They like their school and their activities.” This highlights his commitment to his family amidst his busy career.

As observers look ahead, the expectation is that Dutt will continue to take on challenging roles and expand his influence in both the film and business sectors. His ability to navigate the complexities of the entertainment industry while maintaining a luxurious lifestyle in Mumbai and Dubai will be closely watched.

Details remain unconfirmed regarding any upcoming projects or collaborations, but his recent successes indicate that he is likely to remain a significant player in the industry for the foreseeable future.

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The recent criticisms made by Aneet Padda and her sister Reet Padda have sparked discussions about the role of cinema in political narratives. What prompted these criticisms, and how do they reflect broader societal issues? The Padda sisters have been vocal about their discontent with certain films and public figures, particularly focusing on the portrayal of sensitive topics.

Aneet Padda, an actress who gained recognition for her role in the film Saiyaara, has been in the spotlight, but it is her sister Reet who has taken a more confrontational stance. Reet Padda has labeled the film Dhurandhar as propaganda, asserting that it serves a government-friendly narrative that distorts reality. She argues that the film uses political speeches to justify controversial events, such as demonetisation, and she does not shy away from calling it out as propaganda.

Reet Padda has also criticized Priyanka Chopra for her silence during a recent Oscars event when a co-host expressed support for Palestine. She stated, “She has an opportunity to denounce an unlawful war alongside someone taking a stand, and…she can’t even applaud.” This remark highlights the expectation placed on public figures to use their platforms for advocacy, especially in times of political strife.

Furthermore, Reet Padda has raised concerns about the portrayal of sensitive issues in films like The Kashmir Files and The Kerala Story. She pointed out that these films claim that 32,000 women converted to Islam, a figure she contests, asserting that the actual number is closer to 100. This discrepancy raises questions about the use of exaggerated statistics for propaganda purposes, a tactic that can mislead audiences and shape public opinion.

Reet Padda’s criticisms extend beyond individual films; she also addresses systemic issues within the film industry. She remarked that films that contradict the government’s agenda often struggle to find a platform for release. This observation underscores the challenges faced by filmmakers who wish to present alternative narratives, particularly in a politically charged environment.

As a marketing professional based in Paris and an advocate for human rights, Reet Padda’s insights reflect a growing concern about the intersection of politics and media. Her commitment to speaking out against the misuse of religion in politics is evident in her statement: “I do not discriminate against individuals. However, I strongly oppose political figures who bring religion into politics, especially when it leads to violence. That is a crime, and I will speak against it.” This perspective resonates with many who feel that political discourse should remain separate from religious ideologies.

The Padda sisters’ criticisms have opened a dialogue about the responsibilities of filmmakers and public figures in addressing social issues. As the film industry continues to evolve, the impact of such criticisms may influence future productions and the narratives they choose to promote. While Aneet Padda’s career is on the rise, her sister’s outspoken nature may shape public perceptions of both their work and the broader industry.

Details remain unconfirmed regarding the future actions of the Padda sisters and how their criticisms will affect their careers and the films they are associated with. However, their willingness to engage in these discussions signals a shift in how artists may approach their roles in society.

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Dhurandhar 2: The Revenge, featuring Akshaye Khanna, has made a significant impact at the Indian box office, achieving record-breaking collections shortly after its release. The film grossed an impressive ₹172.60 Crore on its opening day and has continued to perform exceptionally well, reaching a total of ₹541.97 Crore within its first four days.

Directed by Aditya Dhar, Dhurandhar 2 is a sequel to the original Dhurandhar film, which itself grossed over ₹1000 Crore at the Indian box office. This trend of sequels outperforming their predecessors has become a defining pattern in Indian cinema, and Dhurandhar 2 appears to be following suit.

With its current trajectory, Dhurandhar 2 is expected to outperform the original film in terms of box office collections. After just four days, it has already positioned itself as the second highest-grossing film, trailing only behind Pushpa 2.

The success of Dhurandhar 2 highlights the growing popularity of sequels in the film industry, as audiences increasingly flock to theaters for familiar stories and beloved characters. The film’s strong opening day gross of ₹172.60 Crore sets a promising tone for its continued success.

As the film continues to attract viewers, industry experts are closely monitoring its performance to see if it can maintain its momentum and potentially break more records. The original Dhurandhar film’s remarkable gross of over ₹1000 Crore serves as a benchmark for the sequel.

While the initial numbers are encouraging, details remain unconfirmed regarding the film’s long-term performance and whether it will sustain its current pace. The excitement surrounding Dhurandhar 2 reflects a broader trend in the film industry, where sequels often capture the audience’s interest and drive box office success.

As audiences eagerly await further developments, the film’s trajectory will be closely watched by both fans and industry insiders alike. The success of Dhurandhar 2 could pave the way for more sequels in the future, as filmmakers look to capitalize on established franchises.

In summary, Dhurandhar 2 is not only making headlines for its impressive box office collections but also for its potential to redefine the success of sequels in Indian cinema. With Akshaye Khanna leading the cast, the film is poised to leave a lasting impact on the industry.

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Nabil Gabol, a veteran Pakistani politician and prominent tribal chief of the Gabol tribe based in Lyari, Karachi, has recently made headlines due to his dissatisfaction with the portrayal of a character inspired by him in the film Dhurandhar: The Revenge. Gabol, who currently serves as a Member of the National Assembly (MNA) representing the Pakistan Peoples Party (PPP), voiced his concerns about the film’s depiction, claiming it misrepresents his character.

Born on November 16, 1962, Gabol is 63 years old as of March 2026. He has had a long political career, having served multiple terms in the National Assembly from 2002 to 2015 and again from 2024 to the present. His political journey includes notable positions such as the Minister of State for Ports and Shipping from 2008 to 2011 and the youngest Deputy Speaker of the Sindh Assembly from 1993 to 1996.

In his recent statements, Gabol expressed that the character of Jameel Jamali in Dhurandhar is a ‘crooked attempt by Indian filmmakers to deliberately distort and malign my character.’ He is particularly worried that audiences might mistake this fictional portrayal for reality, potentially labeling him as an Indian spy.

Gabol’s concerns are not unfounded, as he has faced online trolling for his differing views on the character’s portrayal in Dhurandhar 2 compared to the first part of the film. He previously acknowledged that the character was inspired by his persona during the release of the first installment.

Official reactions to Gabol’s statements have yet to emerge, but his comments have sparked discussions about the representation of political figures in media and the impact of such portrayals on public perception.

As Gabol continues to navigate the political landscape, his concerns about media representation highlight the complex relationship between politics and entertainment in Pakistan.

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What is the box office collection of Dhurandhar: The Revenge? The film has made a stunning debut, earning a total of ₹145 crore net in domestic collections after just one day of release.

On its opening day, Dhurandhar: The Revenge grossed ₹240 crore worldwide, marking the highest opening day gross for a Bollywood film. This figure surpasses the previous record of ₹129 crore set by Shah Rukh Khan’s Jawan.

The film, which released on March 19, 2026, started strong with ₹43 crore net earned from paid previews the day before its official release. On the actual release day, it generated ₹102 crore net in domestic collections.

Internationally, Dhurandhar: The Revenge earned almost $7 million on its opening day, with the international haul exceeding $9 million. This impressive performance highlights the film’s global appeal.

Directed by Aditya Dhar and featuring Ranveer Singh in the lead role, the film has captivated audiences and critics alike, contributing to its remarkable box office success.

The strong opening day figures indicate a positive reception, and the film is expected to maintain its momentum in the coming weeks. However, details remain unconfirmed regarding its performance in subsequent days.

As the movie continues its run in theaters, industry analysts will be closely monitoring its box office performance to see if it can sustain this level of success.

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Dhurandhar, a two-part film, has sparked curiosity about its authenticity, particularly regarding its connections to real-life events and figures. The sequel, Dhurandhar 2, draws from significant geopolitical conflicts between India and Pakistan, making it a compelling narrative that resonates with audiences familiar with these histories.

Major Iqbal, a character in the film, is based on Ilyas Kashmiri, a notorious figure linked to the 2008 Mumbai attacks. This connection underscores the film’s attempt to portray the complexities of terrorism and security in the region. The character of SP Chaudhry Aslam is inspired by a real police officer who lost his life in a suicide bombing, further adding a layer of realism to the narrative.

Another character, Ajay Sanyal, reflects the persona of Ajit Doval, India’s National Security Advisor, known for his pivotal role in shaping the country’s security policies. The film also features Jameel Jamali, modeled after Nabil Gabol, a former member of Pakistan’s National Assembly, showcasing the political landscape that influences the storyline.

Additionally, the film incorporates characters like Uzair Baloch, a real gangster, and Bade Sahab, representing Dawood Ibrahim, a notorious criminal figure. These portrayals highlight the intertwining of crime and politics in South Asia, making the narrative not just a work of fiction but a reflection of ongoing societal issues.

Real-life events, such as the deaths of various individuals linked to terrorism and crime, are also woven into the plot, including the deaths of Azam Cheema and Sajid Mir. This approach serves to ground the film in a reality that many viewers may find unsettling yet familiar.

Moreover, the film’s storyline connects to significant historical events, such as the 2016 Indian banknote demonetization, which plays a crucial role in Hamza’s mission in Dhurandhar 2. This event, which aimed to combat black money, adds a contemporary layer to the film’s narrative, linking it to current economic and political challenges faced by India.

While Dhurandhar 1 is inspired by the 1999 Kandahar Hijack, Dhurandhar 2 loosely draws from the 2014 Indian general election, reflecting the shifting political dynamics in the region. These connections to real events and figures suggest that the film aims to engage viewers with a narrative that is both entertaining and thought-provoking.

As audiences continue to dissect the film’s connections to real-life events, details remain unconfirmed about how closely the characters and incidents align with their real-world counterparts. The blend of fact and fiction in Dhurandhar raises important questions about the portrayal of sensitive topics in cinema.

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